Burlington, Vermont
October 15

I lean down to kiss Bailey on the head, and she tastes like dog. Doesnโ€™t bother me.

Baileyโ€™s my black Lab. Old, a tad overweight, and, to be frank, dumb as rocks. But sheโ€™s been with me for a long time and has been the only constant in my life. Whenever Iโ€™m doing some soul-searching and find only a black hole, I think of Bailey.

I love this fucking dog.

โ€œGotta go to work,โ€ I tell her, adding a two-handed chin scritch to hold her over. She makes her signature grumbling sound and closes her eyes.

I head up the stairs of my house, down the hallway, and into my office. A fifteen-second commute to my job.

Before sitting down, I glance at the framed picture of my mom on the bookshelf. Iโ€™m compelled to go over and touch it, run a fingertip along the surface, circle her face. For the first time in a long time, I pick it up and kiss her cheek. She tastes like glass.

โ€œMiss you.โ€

I take a seat at my desk, nestle my iPhone into the arm of the fourteen-inch ring light that casts an amber glow on my face, and start recording a video. The angle is straight on my face, capturing everything I say. I always make a second recording of every interview with my phone, and though all it captures is my side of the conversation, I like to have it since I promise my guests to delete the webcast video. Iโ€™ve had my audio recordings manipulated by some unscrupulous listeners more than once, so I always want a copy of what I say that exists only for me.

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I launch GoPod and click on the event set up by Kip. Kipโ€™s my producer, and heโ€™s also my boyfriend. I hate the word boyfriend; heโ€™s more to me than that, but I donโ€™t think weโ€™re at the partner stage of our relationship. Weโ€™ve been together for almost a year, and, well, hell, I love him. He lives in a loft in downtown Burlington, about five miles from me.

Moments later, my guest connects but hasnโ€™t yet turned on their video, leaving me to stare at a black left side of my screen.

And I wonder for the 312th time, what will this blackness become? Whose face will I see?

Sometimes I wonder if Iโ€™ll see a ghostโ€”the ghost of the man who killed my mother, making a very special back-from-the-dead appearance on my show, reliving the gruesome play-by-play that I remember all too well. Sometimes I think the whole reason I started the podcast was to lure that ghost onto my computer screen. And Iโ€™ll admit to no one that, after every single episode, Iโ€™m left with a crumb of disappointment he didnโ€™t show.

I use GoPod Recording Studio software for my show, which is like Zoom on steroids. The screen says the user KOD4ever is connecting to audio.

There, audio connected. Still no video.

โ€œHi, this is Poe Webb,โ€ I say. โ€œCan you hear me?โ€

Silence, silence.

Then:

โ€œHello, Poe.โ€ A manโ€™s voice. Deep and lush. Heavy.

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Still no goddamn video.

โ€œCan you turn your camera on?โ€ I ask. โ€œI canโ€™t do this unless your camera is on.โ€

โ€œOh, yes, Iโ€™m quite aware of that.โ€

A few seconds go by, and then, as if Iโ€™m summoning the dead, he appears on my screen.

White, middle-aged, maybe fifty. Bald head, fleshy cheeks painted in chocolate stubble. Small eyes, as if they were created as an afterthought.

By the time a guest has reached the recording stage of my podcast, Kip will have secured their permission to record them. The guest will also have signed a waiver releasing me from all liability if my listeners form a lynch mob against them.

My guests are almost always despised.

A private message from Kip pops up on my screen.

Kid toucher.

But my amusement fades when I think it could be true. The guy looks like a kid toucher. What does a kid toucher look like? Well, as the saying goes, you know it when you see it.

I donโ€™t talk to kid touchers. Or sexual predators of any kind. This guestโ€”and all othersโ€”are informed of this before I agree to talk to them. Sure, Iโ€™ll talk to murderers, arsonists, con artists who rob your grandmother of all her savings. But I wonโ€™t have a conversation with anyone confessing to sexual assault. Itโ€™s a major trigger for me. Maybe because the dance of sex and violence once played a seminal role in my life.

โ€œIโ€™m going to begin recording in a moment,โ€ I say, launching into the speech Iโ€™ve recited so many times. โ€œYou know this, but Iโ€™m going to tell you againโ€”only the audio is ever released. The video is for me, for my security, and I destroy it after six months unless itโ€™s subpoenaed before that. Which has happened before, so you need to be aware of that.โ€

โ€œOkay,โ€ the guest says.

โ€œYouโ€™re accepting all risk associated with your appearance on my show, and Iโ€™m risking believing that what you are about to tell me is true. If I donโ€™t believe you, if you confess to something I explicitly disallow, or if I just find you boring, this episode will not air. Furthermore, I have the right to send all recorded material directly to the police, FBI, Interpol, whomever.โ€

โ€œI understand.โ€

Peopleโ€ฆtheyโ€™ll sacrifice so much just to be on my show. I still donโ€™t get it.

โ€œOnce I start recording, Iโ€™ll intro the show, during which I need you to remain quiet. Then weโ€™ll just jump into it, okay?โ€

Thereโ€™s a fresh sheen of sweat on KOD4everโ€™s forehead. Heโ€™s nervous. They always are. โ€œOkay.โ€

โ€œRelax,โ€ I say. โ€œYouโ€™re about to be on the top-ranked crime podcast in the country.โ€

A readout on my screen tells me Kip is now recording.

โ€œWelcome to this episode of Tell Me What You Did,โ€ I say into my mic. Audio levels are good. โ€œThe show where I invite you, the public, to come on and confess your crimes. I canโ€™t absolve you of your sins, I canโ€™t protect you from any police listening, but I can give you a space to talk and I can attempt to understand why you did what you did. And, as always, I have no idea of each guestโ€™s crime until they tell me, right here, digital face to digital face.โ€

KOD4ever offers a weird grin, like heโ€™s not sure what to do with his mouth.

โ€œToday I have with me KOD4ever,โ€ I continue. โ€œWelcome.โ€

Now he smiles, and how meaty it is. โ€œI canโ€™t tell you how excitedโ€”and nervousโ€”I am to be here, Poe. Iโ€™ve been listening to your show for years. Iโ€™m such a big fan.โ€

โ€œUh-huh. So, my first question, as always, is this: Do you want to tell me your real name?โ€

โ€œNo,โ€ he says.

Over three hundred episodes, and Iโ€™ve only been told a real name four times. And each of those four had burned through their respective statutes of limitations.

โ€œAs usual,โ€ I say. โ€œBefore we get to your confession, what do you want to tell us about yourself? Paint a picture for our listeners.โ€

Now begins the dance.

My guests? Theyโ€™re seeking fame in a sick kind of way. Sure, some of them truly feel massive relief confessing their crimes on a national platform, and by last count, nearly 30 percent have shed tears in the process. But they could confess anywhere. They want to do it here because, if the story is interesting enough, itโ€™ll create a buzz online. From bloggers, mostly. One time, when I had on a guy in his fifties who confessed to poisoning his spouse, upset that his โ€œtrophy wife had grown into a consolation prize,โ€ the story got picked up by both the Washington Post and the New York Times (the wife lived, apparently). And my guests know the more they reveal about themselves, the better the episode.

โ€œI, uh, well,โ€ he says, โ€œletโ€™s see. Ah, heck, Iโ€™d had it all planned out, and now Iโ€™m so nervous, Iโ€™m forgetting everything.โ€

โ€œI donโ€™t want anything planned out,โ€ I tell him. My voice lowers, softens. Iโ€™m slipping into my therapist tone. Itโ€™s okay. You can tell me. Iโ€™m here to help you. โ€œTake your time. Just tell me a few things. Like weโ€™re meeting over the phone after matching on a dating app.โ€

He chuckles, and itโ€™s kind of gross. โ€œWell, that wouldnโ€™t happen. Youโ€™re out of my league.โ€

โ€œStay focused.โ€

โ€œUmโ€ฆokay. Well, Iโ€™m in my forties. A bit overweight, but trying to exercise more. I live in the Midwestโ€”you might have heard that in my accent.โ€

I had.

โ€œAnd I work with numbers,โ€ he adds.

โ€œAn accountant?โ€

โ€œIโ€™d rather not say, specifically.โ€

Kip pops onto my GoPod screen. Not a message, but his video image. A small box in the upper-right-hand corner, and only I can see him. He gives me a thumbs-up, telling me he thinks KOD4ever is being truthful so far.

Itโ€™s all about truth.

I get a shit ton of liars on this show. Like, sure, most criminals are going to lie, and most of the buzz around my show consists of debates over whether a certain guest made everything up just to be on the podcast. Some have, for sure. Sometimes I get fooled. But thatโ€™s where Kip comes in and why we insist on the guestโ€™s video being on during the interview.

Kipโ€™s a freaky genius when it comes to discerning if someone is being truthful. He knows all the visible and audible cues, and I swear itโ€™s nothing short of magic. Itโ€™s also been a problem in our relationship because he knows if Iโ€™m hiding something.

So far, KOD4ever seems legit. But we havenโ€™t gotten to the good stuff yet.

โ€œAnything else you want to tell us?โ€

โ€œNo, not really.โ€

โ€œWell, Iโ€™ll be asking some follow-up questions, as you know. Maybe youโ€™ll feel more comfortableโ€ฆafter we get to the reason youโ€™re here.โ€

โ€œOkay.โ€ More sweat, and heโ€™s now at least two shades paler. Iโ€™m no Kip, but itโ€™s painfully obvious this guy is fucking nervous. Could be heโ€™s just going to tell me some bullshit story and hope I air his episode. But I donโ€™t think so. I think this guy did some real shit.

Time to find out.

โ€œWell, as a long-time listener of mine, you know how this works. Iโ€™m going to say three simple words, and when I do, the floor is yours. You start talking. Tell me your story. I wonโ€™t interrupt for any reason. You have fifteen minutes, and you can use all or some of it. When youโ€™re done, and if I think youโ€™re being truthful, weโ€™ll have a chat. That sound okay to you?โ€

He wipes his forehead with a folded paper towel. โ€œYeโ€ฆyes.โ€

โ€œOkay, then,โ€ I say. I pause, not for effect, but because this is the moment I love the most. I might be in for a huge letdown or a jolt that will shake me to my core. And not knowing always makes my hairs stand on end.

I lean closer to my mic. Lower my voice even more.

โ€œTell me what you did.โ€


Carter Wilson is the USA Today bestselling author of 10 critically acclaimed, standalone psychological thrillers, as well as numerous short stories. He is an ITW Thriller Award finalist, a five-time winner of the Colorado Book Award, and his works have been optioned for television and film. Additionally, he is the host of the Making It Up podcast and founder of the Unbound Writer company, which provides coaching services, writing retreats, and online classes. He lives in Erie, Colorado. Visit him at www.carterwilson.com and www.unboundwriter.com

Type of Story: Review

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